The Landlord's Daughter by Guy Ware

"He had often wondered at the time how Mr and Mrs P – who were both large and soft and spread themselves widely – could have produced so slight a daughter, a girl whose skeleton one could always sense, just below the surface. He had pondered childhood illnesses, consumption even, before reminding himself it was the twentieth century."
Photo © Sacha Lenz

Photo © Sacha Lenz

July 2016's edition of Long Story, Short Journal is by writer Guy Ware, whose debut novel The Fat of Fed Beasts was declared "brilliant" by Nick Lezard in the Guardian. This month's short story, 'The Landlord's Daughter', confronts the fragility of memory and the vulnerability of the individual facing the classic question: how well one can truly know another human being? READ 'THE LANDLORD'S DAUGHTER'.  

Laureate by Andrew Meehan

"This week, I have at last found some work—chauffeuring dignitaries to and from a gathering of Nobel-prize winners at the old university in Heidelberg. This particular Laureate resembles a handsome pope. He looks seventy and he looks virile, the kind of man who would attempt intercourse with a tree from a high-speed train."

Photo © Raul Lieberwirth.

Take a hallucinatory chauffeured tour of Heidelberg to dive bars, academic luncheons, and the homes of unmentionable historical figures in Andrew Meehan's 'Laureate'. The protagonist has a voice you won't soon forget. Read the June 2016 edition of Long Story, Short Journal: Laureate. Photo by German photographer Raul Lieberwirth. 

Small Rebellions by Claire Hennessy

It’s inevitable that the bed feels too empty, that the television blasts through the walls along with Conor’s laughter, that she ends up knotting her dressing-gown around her waist and curling up next to him on the couch. Inevitable that his hands undo that knot, his fingers sliding against bare skin, and that when his tongue works its magic between her thighs it’s impossible to remember that the walls are paper-thin.

The October 2015 edition of Long Story, Short Journal by Irish writer Claire Hennessy is a reminder of the importance, even now, of Virginia Woolf's dictum: "A woman must have money and a room of her own..." if she is to be an artist. 'Small Rebellions' is the portrait of a talented young woman struggling against the tide of duty, obligation, and everyday minutiae, which is dragging her away from her own work inch by inch. Also featured in this edition is Marianna Santikou's photo 'Missed Opportunity'. READ 'SMALL REBELLIONS'.

Interstate by Patrick Chapman

Photo © Patrick Warner.

Now there was the road. Now there was the desert road flashing by, and Michio’s car, a Chevy Impala, which Oliver had borrowed without asking. Rufus the dog was present in the aftermath of her fur. She was a bitch collie but Michio had decided to give her a male name. He had thought it funny to do so. It was a political statement too. Oliver was not quite sure what he’d meant by that.

The September 2015 edition of Long Story, Short Journal is 'Interstate' by Irish writer / poet / screenwriter, Patrick Chapman. 'Interstate' is a fractured David-Lynchian fairytale which explores how trauma can trigger an inescapable loop of regret and rumination, rendering even time powerless to heal. This month's edition also features a photo by American photographer Patrick Warner. READ 'INTERSTATE'.

The Vanishing Act by Connla Stokes

Photo by Mark Madeo

This Biblical weather had set the stage perfectly for his overnight disappearance, which once reported, would seem like a no-brainer. Just picture: two or three days after a hurricane rips the arse off Dublin, the Gardaí find a missing person’s crappy car at the end of a pier with a bunch of discarded clothes on the back seat. If that didn’t scream out, “Goodbye cruel world!” in neon lights, Ciaran figured nothing would.

The Vanishing Act by Irish writer Connla Stokes is the August 2015 edition of Long Story, Short Journal. In this tale, the 'lonely voice' in short stories turns humorous, when the hero decides to fling himself head-first into isolation, in a bid to reconnect with his loved ones. The satirical portrait of a writer in a severe stage of avoidance will be familiar to many who long for both escape, and creative notoriety. Read The Vanishing Act.